Oohooooo,malcooning
First I said, I like some great stuff in TV paint that why i decide to chose it for my movie. overwise I already unistalled it quickly.
but i think it can be better.
malcooning wrote:yoyo,
I've been using TVP for 18 months now, and I don't even know how to start telling how wrong you are in your rush judgment of this program. if you're doing 2D drawn animation, there's nothing, absolutely nothing that comes near the abilities of TVP in the market today. In fact, one could say that TVP brings drawn animation and experimental approaches to a new era, in which you save money and time, and at the same time it triggers your imagination into new domains.
Of course it matters what type of animation you're looking for. If you want to do vector stuff, you might indeed look elsewhere, like moho, Toonboom and the likes. But, saying that, it does not mean that you cannot do sleek, professional looking animation with TVP: if you ever done traditional animation, you cannot but admire how quickly you can do actual animation? just one example: traditionally, you'd be piling paper on a peg bar, no more than a few at a time, drawing your animation away. Then you'll put them under the camera, or scan them in. Only then you'd be able to see if your animation runs like you want it. If not, you're back at the drawing table, correcting those frames and drawings, only to bring it under the line tester again. After you're done with that, you're in for the cleanup. And then the inking and on and on.
In TVP you don't have that process. It's all done at the same time, on the same platform. You draw, you play the animation, you correct, you paint... all on a single timeline field.
I prefer DRAW with my REAL PENCIL than my Wacom.
I'm Sorry, there an huge difference.
so after it's up to you,it depend of kind of persons
malcooning wrote:
avoiding any other compositing platform
what is the point of that????can you tell me
have a limited result....
malcooning wrote:
And as for "heavy" on the screen - TVP has the most customizeable interface out there. you just need to take the time to consider your needs.
take phoshop for exemple hit 3 times on F and tab keys and nothing left on the screen.
so in fact i guess a program might be intuitive, you don't have to lose time in anyways,much more when you're working in animtation industry cause you have so much drawing to take care of.
imagine like i said if you're using more than one program and losing time here and here. after the result will be affected
the technique is here to help you.
in fact I use 3 program in pipeline Photoshop,silo (3D program) and After FX.For thoses 3 program i don't need anything to learn them, i look tutorial sometime like everyone, but they are fully intuitive so NO TIME LOST.maybe 3 second of reflection to begin.
I thought TVPA is a realy nice tool but it can be so much powerfull in pipeline animation product,
have best result posible isn't that the most imporant?
That's why I focus on the time lost!
by the way I just trying to help...
to lose less time in compositng,and win time to draw and tell!
malcooning wrote:
I made my film, 9 minutes, on TVP (version 7.x), . It went from TVP straight into editing. I can't even thing what other single-platform application gives you that.
Can we see the result???? I should be glad to see the possibilities of TVPA.
Yo